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The Rounded Eyes of the Pagan God

Posted in : Poem of the Day

(added few months ago!)

Are exitways for the Soul—
and so the eyes half in awe, half-dazed
to house so great a magnanimity
never close.

Rock god with your look
of surprise, be calm. The Soul peers out
but rarely goes.

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(added few months ago!) / 74 views

Mahogany Urban Poetry Series

Posted in : Poem of the Day

(added few months ago!)

Queen Sheba Ethiopian Restaurant owner Zion Taddese has always been community-minded. So has Khiry Malik Moore, emcee for the Mahogany Urban Poetry Series that ended its five-year run with the closing of Sweet Fingers Jamaican Restaurant. Now the two have teamed up to bring Mahogany back to Sacramento every Wednesday night in Queen Sheba Restaurant. The series always begins with the African tradition of “pouring libations” to one’s ancestors. It follows with an open-mic and spoken word from a local or national featured poet.

Word of this event slipped into the bunker too late for us to publish it ahead of the launch party (though if you’ve tuned in and turned on to the fact that our paper actually comes out on Wednesday nights in Midtown, you might still make it to the event). On May 7, the series kicks off with featured poet Queen Sheba from Atlanta. Reading this too late? Catch Brooklyn’s Shanelle Gabriel on May 14.

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(added few months ago!) / 86 views

Whereof the Gift Is Small

Posted in : Poem of the Day

(added few months ago!)

Henry Howard, Earl of Surrey

And short the season, first rubythroat
in the fading lilacs, alyssum in bloom,
a honeybee bumbling in the bleeding heart
on my gelding’s grave while beetles swarm
him underground. Wet feet, wet cuffs,
little flecks of buttercup on my sneaker toes,
bluets, violets crowding out the tufts
of rich new grass the horses nose
and nibble like sleepwalkers held fast—
brittle beauty—might this be the last?

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(added few months ago!) / 90 views

Single Thread

Posted in : Poem of the Day

(added few months ago!)

When I was a weaver, I chose
a red silk thread to get me to the heart
of my creation and then back out,
across the loom, to whatever life was waiting.

And when you found the little red pathway,
buried between warp and woof, you were sure
you'd found a flaw. Please remember what happens

when there's no exit. Years of breathing
wool dust, reeking of lanolin, staring into coils
of green yarn and blue—you go dumb.

You've heard the story a thousand times—
that trapped fox, whining and snuffling
then biting her paw
through the bone, and running off into the night.

The mind wants this: a door in the wall,
         an open field, a narrow path
         through the woods, an open field

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(added few months ago!) / 92 views

Snowflakes

Posted in : Poem of the Day

(added few months ago!)

Yesterday they were denticulate as dandelion greens, they
locked together in spokes and fell so weightlessly

I thought of best friends holding hands.
And then of mating hawks that soar into the air to link their claws
and somersault down, separating just before they touch the ground.

Sometimes the snowflakes glitter, it's more like tinkling
than snow, it never strikes, and I want to be struck, that is

I want to know what to do. I begin enthusiastically,
I go in a hurry, I fall pell-mell down a hill, like a ball of yarn's

unraveling trajectory—down and away but also surprising ricochets
that only after seem foretold. Yesterday I took a walk because

I wanted to be struck, and what happened was
an accident: a downy clump floated precisely in my eye.

The lashes clutched it close, melting it against the eye's hot surface.
And like the woman talking to herself in an empty church

who eventually realizes she is praying, I walked home with eyes that melted snow.

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(added few months ago!) / 216 views

Poets & Protesters

Posted in : Poets

(added few months ago!)

This title must be credited to someone participating in the great Seattle trade-negotiations protests of 1999. A discussion of those days is where I heard it and noted it for use as a title someday. The poetry part of it (with a bit of poetic license taken), refers to the front pages of the Zeytoon bible which were removed around the time of the Genocide and eventually found their way to the Getty Museum in Los Angeles. As you know, this matter is in the courts, with the Armenian Apostolic Church suing for their return to reunify them with the rest of the book, now safe in Yerevan. The LA Times reported on November 20th that 30 people protested at the museum, urging that institution to do the right thing and return the pages.

On November 16th, the same paper had reported about a different protest, in front of the home of Tim Sloan, the chief financial officer of Wells Fargo. But the real news, as evidenced by the headline was “Protest buffer zone imposed” and not the actual demonstration. Sloan lives in the City of San Marino, a small place noted for its affluent residents. The new law requires protestors to be 75 feet from the curb or 150 feet from the targeted home, whichever is further. The fact that this would put demonstrators in front of someone else’s home seems to not matter to the city council members who voted to enact this clear inhibitor of the freedom of speech guaranteed by the first amendment to the U.S. constitution. As if this wasn’t enough, the police chief, John Schaeffer is quoted referring to “the victims of the picketing”! What a despicable statement! How can someone whose institution has caused immeasurable misery be considered a victim rather than a perpetrator?

What if LA had a similar ordinance? Our Zeytoon bible protesters might have had to stand in the middle of a 10 lane highway (I-405) or on the edge of a cliff to protest at the Getty! (for those unfamiliar with the museum’s location, it is on the west flank of the Sepulveda Pass, which as you might expect is a relatively narrow passage through the Santa Monica Mountains).

This kind of obstruction of freedom of speech is heinous. Yet the news was buried on the fourth page of the second section of the paper. I saw no editorials or letters to the editor in later editions. I have also not heard about it elsewhere. It is frightening that people are taking this so lightly. There’s a snooty, sneering, condescending attitude that seem to be present whenever people protest. It has been manifested most recently against the Occupy movement. Most often, this reaction can be observed among those who fall on the right-wing of the political spectrum. But they should beware what the cheer. If laws such as this spring up in response to Occupy, the next time Tea Party types want to do what they did in the summer of 2009 with their boisterous, heckling, disruptive protests at congressmembers’ local gatherings about the upcoming healthcare law, they will be prevented from doing so.

Of course the same could easily be done to our protests and rallies at Turkish diplomatic installations or their propagandists’ events. Any Armenians living in San Marino should let their councilmembers know, in no uncertain terms, that this law is a manifestation of very bad public policy and should be rescinded immediately.

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(added few months ago!) / 238 views

Brown Girl Levitation, 1962-1989

Posted in : Poem of the Day

(added few months ago!)

Something sharper than any blade cuts
the heavy roped balloon cord at the end
of my wrists; ascension begins. No tingle
of warning, just the thin, rising held-breath
of a brown girl, super sudden lift, then,
the instinctive dive & grab for anything
dependable, two ton, well tethered, close:

Shaggy, heavy-bellied, near blind sheep dog.
Bulbous, well-rooted, yellow meat watermelon.
Iron held, black leather, Detroit-Buick car arm.
Steel blue, cavernous, baby brother crib roof.
Brass, honeycomb canopy, octopus jungle gym.
Mesozoic era, roots, trunk, cane field of azalea.

I could smell it inching closer to full power,
like a storm nearing from across the field of
my young life. Except, it wasn't over there,
coming. It was inside, gaining on me, blooming.
I could not grab my girl hat and run. Could not
turn my long yellow feet into brown girl spikes
and beat it home. Wherever I happened to be
when it hit—I had to hunker down.

I would lean hard into that high, elephant-lifting wind
with everything I had, carrying my girl mind & muscle
to the thing that I knew had been grandmother sent,
engineered, just for me. And there she would appear:
straw hat, cotton dress, cow boots, rabbit grass stogie
between her two front teeth, walking the dirt road back
to the old homehouse. Her humming heart in mighty step
with the bee wings of the July air. Her arms full of as many
bowling-ball headed, green-striped melons as she could manage.
The red sweet flesh, the jet-eyes, my just-in-time juicy
body weights passed from her arms to my lap,
until the great gray wind retreated & agreed
that I'd had enough & turned
me loose, disappearing back
beyond, into the indigo
heaven, until the next
lifting time.

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(added few months ago!) / 240 views

After Pavese's

Posted in : Poem of the Day

(added few months ago!)

No laziness like mine, little crystal cup,
tomatoes canned, late basil crushed to pesto.
Nothing better than 95 degrees in the shade.
People like us don't sweat in the heat because we work.
The sun finds a place on our skin and has no need to make it shine.

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(added few months ago!) / 82 views

A poet Life in Captivity

Posted in : Poets

(added few months ago!)

Jennifer McGowan was invited to the Co-op on Tuesday to give a reading of her poetry book entitled "Life in Captivity."This is McGowan's first published book of poetry, although she has been writing and studying literature since an early age. Starting with short stories, she transitioned into more of a poetic concentration later in life. McGowan described living an hour-and-a-half away by train from Oxford where she taught, and the extra time that gave her to concentrate on writing.

"I would work on writing one poem a day on the way to and from work," McGowan said. Another one of her interests is calligraphy, and the artistry on the cover of the book reflects this passion. A distinguished friend of hers, however, did the drawing, which was a response to the final poem in the collection.
The title poem, "Life in Captivity," was the first that she was read, and McGowan gave the audience insight into the motivation for the piece. The character in the poem was taken from her ex-boss, who she said was "a lion of a man." A very visual piece, McGowan gave a life and a voice to the character through animation as the character began his day about his domain.

Many of the other pieces she read were mystical in nature describing different maidens or fairies. Having obtained her doctorate from Oxford in 16th and 17th century witchcraft in Britain, this was an idea very pertinent to her. The interests in calligraphy and medieval concepts that she holds also help to tie into her poetic themes.

She describes "The Merry Maidens" piece as a way for her to stitch together various myths to create one story. McGowan explained laughingly that a writer shouldn't let the absence of truth detract from a good story or poem. The characters in this poem consisted mainly of fairs and the illusions they can create.
She also delved into the aspects of being disabled and an author. Fascinated by a story about a maiden without hands, McGowan expressed dissatisfaction that no one was concerned about the mutilation that had occurred or that this was the way she was recognized.

The variation of the condition that McGowan has was once exploited in turn of the century sideshows. The flexibility in her joints that can be uncomfortable was used to create entertainment because people were amazed at what their bodies could do. However, the poem relates the opposition of glamour at the carnival and the concern in a person's daily family life stemming from this genetic disease.

Catherine Findorak, a 5th-semester English major, said that she was interested in attending the reading because she is, "interested in poetry and how authors form their poetry."Some of the audience members were also curious about McGowan's life and the opportunities she has as a young poet in Britain. She described the many journals now in publication and the bookshops that allow authors to share their works.

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(added few months ago!) / 90 views

I Don't Think I Trust That Corn

Posted in : Poem of the Day

(added few months ago!)

As far as you're concerned,
To sentimentalize your feelings about someone retrospectively,
Your sentiments exactly,
To realize you failed to feel something you should have,
You might have said so yourself,
To feel a realization as a physical sensation,
Aggravation comes in many colors,
To sentimentalize your feelings about someone retrospectively,
Your life depended on something you failed to feel adequately,
What were you doing while your life sped by like, oh, a speeding bullet—
To mutter about a battered book you read at sixteen,
To feel a realization as a physical sensation,
Tell me more about your understanding of our collective humanity
To react retroactively, to forgive everything,
To acquiesce like a dead sponge does,
To know how it feels to be erased by someone who's mattered
To murder your others on account of your brokenness,
You don't hear a lot about the families of hermits,
You don't run into many bands of anchorites.
Run of the mill stories about men, women, and children
Don't feel sufficient when their occasion is verbatim.
Tell me about the most recent mill you've crept up on.
Tell me more about your feelings of our value.
Verbatim is such a physical word. Like a rubber mallet.
Tell me how much you once loved me, that will surely
Solve all of the puzzles. One of the best things about putting
Anything into words—instantaneous acknowledgement
Of the relative good it will do you, to make it appear to be
Static when that is impossible, we should all have to spend at least one
Decade carving what we think we mean into stone,
That might engender a little mindful, severe silence,
Don't waste your words was often or always tossed at me,
We have degraded our trajectory, we have spiraled into the vortices of despondency,
Such a sad sorry, my beloved also watched me sideways, we were a
Pack of mis-used curs squabbling amongst ourselves in agony.
The one who most looked like a generic human baby in the body
Of a feral puppy, that was the one to be most remembered,
And repulsed by, fear and repulsion are emotional cousins,
Emotions in general do exist to be tangled, it is a wonder
We ever find ourselves out of troubled waters, that is an expression
I will spend all day sorting, and while I'm at it, searching for the famous oil
That often goes with it.

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(added few months ago!) / 74 views