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Poe for poetry

Posted in : News

(added 1 hours ago)

John Cusack is playing American author and poet Edgar Allan Poe in James McTeigue's “The Raven”, which is soon going to fly in India. The title is drawn from one his best remembered poems. The thriller follows Edgar Allan Poe and a young detective, who try to catch a madman, who begins committing horrific murders inspired by the works of Poe.

Excerpts from an interview:

What kind of research did you do for the role?


Just reading – I read everything. There are some great biographies around Edgar Allan Poe. It is a multi-faceted role and involved a lot of research. We visited many places and book stores as there is so much material on all of his writings. For eight weeks we had sleepless nights trying to read and find answers.

What are your thoughts about Poe and his work?

Poe was way ahead of his time as a writer and thinker. In the time when nobody had the courage to even think about such dark stories, he wrote things that were deep in his heart and soul. It was Poe who invented the detective genre and his work laid the foundation for one of the most famous and iconic detective stories of all time (Sherlock Holmes). I think he was very charismatic and yet led a sort of tragic and twisted life which reflects in his library of work. He also had a great sense of humour that showed in his writings.

He was at war with the world literarily and artistically. He wanted to be recognised as a genius and all that stuff, but I think he adored the company of women. The women in his life that he loved, his mother, his stepmother, then his wife, I think he was profoundly in love with. He loved them, and was profoundly shaken by their loss. I think he did have a kind of transcendent almost religious love for women. It was kind of non-sexual in a weird way.

Is this one of the most tortured character you have ever played?

I can't think of any darker role. He was very romantic and wanted desperately to love and to touch the higher worlds but he also needed to go into the underworld. So there was duality to him that was so intense. Most of the artist and writers can relate to it.

How important is that to a film like The Raven? Is it relevant that you're telling the truth?

I think it is, actually. I think poets tell better history than historians. Historians lie all the time but the poets can get to truth of it. So, if you have Poe de-constructing Poe's stories, and you know what Poe's written about in all his stories, what he's said about all his stories and about his letters, you can investigate him. So, you have Poe investigating the mind of Poe. So, I think there's a lot of historical insight you can get. You can put a lot of accuracy in the fiction and I think that's what we tried to do.

How do you think people will react to The Raven?

I don't know how people are going to see it. But I think we were true to the source material. I think we made a movie that was much like Poe's writing, which was high-brow and pop. That's sort of what he was. And I think it's dark. I tried my hardest. I came back exhausted and lost 187 pounds. I touched down in Chicago at Christmas and I didn't know where the hell I was. I was stumbling around. I felt like I went on a bit of a journey.

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Poem of the week: 'The Fine Old English Gentleman' by Charles Dickens

Posted in : Poems

(added 2 days ago)

It would be a pity to let the bicentenary of the birth of Charles Dickens pass by without including an example of his verse on Poem of the week. The novelist's poetic output was small: a few songs in The Pickwick Papers, poems for plays, and a brilliant trio of political squibs which appeared in the liberal journal The Examiner in 1841. This week's poem, "The Fine Old English Gentleman: New Version", is one of the latter, and the pick of the crop.

The poem was published on 7 August, signed simply "W". It embodies the writer's angry response to the election of Sir Robert Peel as British prime minister, replacing Lord Melbourne and his Whig ministry. The power shift was a serious threat to the liberal cause and its reforms, personified by Dickens as "strong-wing'd" Tolerance, who triumphs briefly over "the pure old spirit" of repression in verse seven.

Dickens's model was a song by Henry Russell, a popular composer, pianist, singer and lyricist and the great-nephew of the British chief rabbi, Solomon Hirschel. Russell's song, "The Fine Old English Gentleman" (1835) is taken to be an encomium to the good old days, but a closer look at the lyrics suggests Russell had some radical ideas of his own. His reference, for instance, to "the poor old English gentleman" who "kept a brave old mansion / At a bountiful old rate" is clearly ironical. It's significant that Dickens initially takes up Russell's rhymes and some of his phrases. It's as if he makes the original a launch-pad for his own fiercer and more extensive political battery.

Dickens attacks Tory stupidity in his very subtitle: "To be said or sung at all Conservative dinners". Only idiots would chant this litany of self-mockery at a celebratory dinner. The poem runs tirelessly through a roster of political injustice and corrupt practice, and every verse hits its targets. Sometimes, there's a sketched-in backstory: verse three suggests a connection between the spy network, embodied in the "brave old code", and the mythological, many-eyed monster Argus, and the Peterloo Massacre, when "the good old yeomanry" attacked a peaceful crowd of demonstrators. The corruption of the press is not forgotten. Neither is the repression of fellow literary liberals. The imprisonment of Leigh and John Hunt for their satire on the Prince Regent as "The Prince of Whales" prompts a particularly nice piece of ridicule: "For shutting men of letters up, through iron bars to grin / Because they didn't think the Prince was altogether thin".

The heptameter lines of the "new ballad", which, with lighter material, would suggest a comic "patter song", enhance the urgent pell-mell rhythm, the flow of energetic tirade. Quadruple rhymes underline the accumulation and in-breeding of the dirty deeds. The refrain, a mock-toast and a warning, constantly rubs in the almost-abusive title "Tory". Well before 1841 the party had renamed itself Conservative. The word Tory comes from the Irish toraidhe, pursuer, and originally denoted the Catholic rebels who sought to rid Ireland of the English. Dickens heightens the ironical about-turn in the word's usage, depicting the Tories as "hunting men" in verse four, bringing war and starvation to Ireland in verse eight.

It's in verse four that Dickens names names – not Peel, of course, but the younger William Pitt, who had heartened the reactionaries of his era through his election as prime minister at the tender age of 24. Dickens's depiction of his rapid rise as a descent "direct from Paradise at more than railroad speed" is a masterstroke of bathos and a great piece of punning, alluding to the new mode of high-speed travel, and to "railroad" as a verb, meaning to force an action or outcome at undue speed.

Dickens's irony is deliberately heavy, and he may, after all, exceed rationality in blaming the Tories for all the ills of the past. But he drives the narrative forward with a storyteller's flair, seen both in the whole poem and in the individual verses, and, most importantly, his targets are real ones, and truly worthy of the cudgel. While appearing to generalise, he keeps his eye on historical detail. There's no doubt of an extraordinary skill in conveying and evoking strong feeling – as if the young writer, who had earlier thought of standing for the Liberals in Reading, seriously intended his pen to rally a band of "rebel heads" against the renewed Tory times. For us, the poem may, of course, gain further edge from a certain topicality.

The Fine Old English Gentleman: New Version

(To be said or sung at all Conservative dinners)

I'll sing you a new ballad, and I'll warrant it first-rate,
Of the days of that old gentleman who had that old estate;
When they spent the public money at a bountiful old rate
On ev'ry mistress, pimp, and scamp, at ev'ry noble gate,
In the fine old English Tory times;
Soon may they come again!

The good old laws were garnished well with gibbets, whips, and chains,
With fine old English penalties, and fine old English pains,
With rebel heads, and seas of blood once hot in rebel veins;
For all these things were requisite to guard the rich old gains
Of the fine old English Tory times;
Soon may they come again!

This brave old code, like Argus, had a hundred watchful eyes,
And ev'ry English peasant had his good old English spies,
To tempt his starving discontent with fine old English lies,
Then call the good old Yeomanry to stop his peevish cries,
In the fine old English Tory times;
Soon may they come again!

The good old times for cutting throats that cried out in their need,
The good old times for hunting men who held their fathers' creed,
The good old times when William Pitt, as all good men agreed,
Came down direct from Paradise at more than railroad speed …
Oh the fine old English Tory times;
When will they come again!

In those rare days, the press was seldom known to snarl or bark,
But sweetly sang of men in pow'r, like any tuneful lark;
Grave judges, too, to all their evil deeds were in the dark;
And not a man in twenty score knew how to make his mark.
Oh the fine old English Tory times;
Soon may they come again!

Those were the days for taxes, and for war's infernal din;
For scarcity of bread, that fine old dowagers might win;
For shutting men of letters up, through iron bars to grin,
Because they didn't think the Prince was altogether thin,
In the fine old English Tory times;
Soon may they come again!

But Tolerance, though slow in flight, is strong-wing'd in the main;
That night must come on these fine days, in course of time was plain;
The pure old spirit struggled, but its struggles were in vain;
A nation's grip was on it, and it died in choking pain,
With the fine old English Tory days,
All of the olden time.

The bright old day now dawns again; the cry runs through the land,
In England there shall be dear bread — in Ireland, sword and brand;
And poverty, and ignorance, shall swell the rich and grand,
So, rally round the rulers with the gentle iron hand,
Of the fine old English Tory days;
Hail to the coming time!

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(added 2 days ago) / 7 views

On Fixing Things

Posted in : Poem of the Day

(added 3 days ago)

I tap-smashed—by mistake?—
our bedroom window, and rational-
ized it as a large weep-

hole that winter, for a while, at least,
until the mist from the ends of
the earth gathered there, and till

glass icicles slivered into our toes
and fingers too many times
to ignore any longer—

Do we get the new pane cut
to be slightly larger or smaller,
how to remove the old sharp shards

with their dangerous forget-
fulnesses, and how will we fit
in the glaze and points? This is the kind

of thing your dad knew without thinking,
but he's dead now and can't tell us a thing.
Even worse, it's Sunday, the one day

we have to rest as well as work, so . . .
Time to wrestle with the new glass
at long last, and I wake up early,

start to shave: with a swift, near-
knowing stroke, his old razor deftly
measures a long crisp cut across my neck.

What will stop me now from bleeding
clear, sharp air? How can an inch
of trauma measure eternity, ever?

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(added 3 days ago) / 10 views

Without Compare

Posted in : Poem of the Day

(added 8 days ago)

These leavened bees,

         this world
hung in concert between, from stem
to hive, each hum touched

         with sibling sadness,

tethered
         to a diminishing life, bid

to and from.

Worn, the shantung
         of them: breathless forms
shuttling through sunlight,

glistening
         between bud and home.

         How loyally they hold their
vigil, speechless as heirs

         pacing a marbled hall,
                   weighing the falling

pulse of the monarch.

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(added 8 days ago) / 13 views

Poetry Workshop at Tyme Gallery

Posted in : News

(added 11 days ago)

Award winning poets and professors Jeffrey Ethan Lee, Iain Haley Pollock, and New York City renowned anthropologist, professor and poet Renato Rosaldo will conduct a poetry workshop the afternoon of Sunday, May 20. This is for beginners and people who want to strengthen the skills they already have. The workshop will start at 1p.m. on Sunday, May 20. Light refreshments will be served at the the workshop.

You must submit a $25 fee to secure a spot in the workshop. There are only ten seats. There are two scholarships available for youth 18 years and younger. Payments can be made at the door, but the seats are going on a first come, first serve basis so it is best to make a reservation.

To be part of the workshop contact , Edna at Tyme Gallery by calling 610-853-1215. You cannot attend the workshop without advanced payment and you can also check APIARY's website to get full workshop instructions. The performance of the poems, questions and answers portion  and book signing begins at 2:30 p.m. This is free and open to the public.

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Chinese Poetry

Posted in : Poems

(added 14 days ago)

As defined by Watson (1986), poetry is a creative understanding of knowledge uttered through meaning sound and musical language choices in order to evoke an emotional reaction. Since times immemorial, poetry has been credited for its application of rhythm and meter in the passing and expression of knowledge. Poetry has undergone numerous milestones and drastic reinvention which has brought it to its present status (Watson, 1986). Specifically, china has in the past and present been positioned in the global platform due to the numerous developments in its poetry. Over the years, china poetry has also been undergoing significant changes and transformation from the traditional Chinese poetry to globally recognized poetry. This paper will profoundly discuss Chinese past and present poetry (Watson, 1986).

In the past, Chinese poetry was divided into a number of subgenres which included ci and qu. In relation to these traditional subgenres of poetry I china, it is revealed that all of them were rhythmed (Smith, 1990). This is to say there was a regular and consistence pros in the texts of the poets thus producing a musical sound. Nevertheless it should be considered that, not all rythmed texts were classified as poetry in china. Bookings relating and depicting the existence of poetry in china date back to 770-476 BCE. This is a very strong evidence of a rich culture of poetry in china (Smith, 1990).

One of the oldest poetry is the Shi Jing which is a collection of many poems referred to as classic of poetry. On other aspects, traditional poetry in China composed of the aristocratic poems and rustic poetry of ancient days. It is further evident that, the poems of these ancient days were derived from folksongs and were predominantly developed of four characters. The other aspect of old poetry in Chinese origin is the Chu

Ci which is referred to as the "Songs of the South". Unlike the Shi Jing poetry, the Chu Ci was more romantic and lyrical. The structure of the poems entailed irregular line length (Smith, 1990).

The past poetry in china between the period 206BCE-220CE, the Chu Ci poetry style encountered many developments. It evolved to the descriptive poem which was a mixture of verse and prose. This was a more developed form of poetry and depicted the knowledge and skills of the poet rather than passing on emotional experiences. During this era, the descriptive poem remained very dominant across the Chinese despite that the poems gradually changed in length and message. As described by Cooper (1973), the poems became personal and shorter. The end of this period of this period of poetry was characterized by the entrance of the Han form which was five-character poetry(Cooper, 1973).

At these early ages, folk style became dominant in the poetry genre as there was increased interest in government's interest in poetry. A point worth noting is that, there was a mix up in the structure of poems. This is most evident by the seven-character and the five-character as contrasted to the 4character in the times before. More importantly, a drastic revolution in the poetry industry in china took place at this period. The number of poems being composed at the time sky rocked to more than 50,000 which in this case was the highest number across the globe at the time. In addition, all aspects of human life were integrated with poetry. This is witnessed that anyone interested in government post could take an exam in poetry (Watson, 1986).

Some of the major developments marking the end of ancient poetry were the inclusion of the regulations. Despite that, the two styles of regulated and unregulated poetry coexisted both at the same time, the differences were more evident.

Further, advancements in poetry were facilitated by the increase in population literacy which enhanced printing thus making evaluation of poems easier. This period ran up to the 1920s when the vernacular literature came into being. A point worth of consideration at this new era was the rise of the novels and the opera which became the new ways of cultural expression(Chien, 2000).

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(added 14 days ago) / 27 views

Local Poets to Compete for Nationals

Posted in : Poets

(added 14 days ago)

Steel City Slam has been in full swing since September, and on Friday, performance poets will gather for a grand slam event that could send them to a national competition. Steel City Slam Off, Pittsburgh’s biggest slam poetry event, is this Friday at the Union Project in East Liberty.

The slam poetry season runs from September through April. At the end of the season, the top 12 poets are chosen to participate in the Grand Slam. The top five Grand Slam winners compete in nationals, which are held in Charlotte, North Carolina this year.

“That Grand Slam is kind of the biggest poetry event of the year, because it sends us to nationals against all the other cities,” said Tera McIntosh, a Steel City Slam poet who lives in Brookline. “We’re the only registered slam poetry league in the City of Pittsburgh.”

Usually between 10 and 12 poets compete at each slam event, which are held about once a month leading up to the Grand Slam event. McIntosh said between 60 and 70 poets compete throughout the season.

Between performances by adult league members on Friday, members of Young Steel, a newly formed youth slam poetry league. Members of Young Steel are from Brookline and surrounding communities throughout the South Hills, and into Washington County. A comedian also will perform at Friday’s event.

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My Love, Don't Believe

Posted in : Poem of the Day

(added 15 days ago)

My love, don't believe that today
the planet travels on another orbit,
it is the same journey between old
pale stations,
there is always a sparrow flitting
in the flowerbeds
a thought grown stubborn in the mind.
Time turns on the face of the clock, it joins
a trace of fog above the pine trees
the world veers into the regions of cold.
Here are the crumbs on the earth,
the embers in the fireplace,
the wings,
the low and busy hands.

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Poetry in Songs

Posted in : News

(added 17 days ago)

The captivating music of Marathi movie, Ajintha , to be released on May 11, was launched at the Le Méridien on Friday. The film relates the true love story between Major Robert Gill and a tribal Banjara girl named, Paro. Ajintha ’s music has been created by music director, Kaushal Inamdar, and the lyrics are based on noted Marathi poet, N D Mahanor’s poetry. The movie includes 10 songs which have been sung by 18 singers. Actor Sonali Kulkarni performed at the launch event.

Style Growth
Evolv, in Phoenix MarketCity mall, launched its spring summer collection on April 27, in the presence of Tina and Atul Malhotra. Evolv offers contemporary Indian fashion and design created in collaboration with upcoming Indian designers. Some of the designers featuring in this collection are Manish Arora, Gaurav Gupta, Pallavi Mohan and many more.

Green Strokes
At Malaka Spice catch different seasons unfold through art. The exhibiton called Love Nature, Save Nature will showcase works by artist Sandesh Shete. M ost of these paintings capture the scenic beauty around Lonavala, Malshej Ghat,Varanda Ghat, Mahabaleshwarand and Konkan.He has held numerous successful exhibition of his paintings at India Art Gallery, Bal Gandharva Art Gallery, Yashawantrao Chavan Art Gallery, Pandit Bhimsen Joshi Art Gallery Pune, Nehru Centre Art Gallery – Mumbai, Hotel Oberoi in Mumbai, Art Walk Gallery. The exhibition will be from May 1 to May 15.

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The Power

Posted in : Poem of the Day

(added 18 days ago)

Forget all of that end-of-the-pier
palm-reading stuff. Picture a seaside town
in your head. Start from its salt-wrack-rotten smells
and raise the lid of the world to change the light,
then go as far as you want: the ornament
of a promenade, the brilliant greys of gulls,
the weak grip of a crane in the arcades
you've built, ballrooms to come alive at night,
then a million-starling roost, an opulent
crumbling like cake icing ...
                                          Now, bring it down
in the kind of fire that flows along ceilings,
that knows the spectral blues; that always starts
in donut fryers or boardwalk kindling
in the dead hour before dawn, that leaves pilings
marooned by mindless tides, that sends a plume
of black smoke high enough to stain the halls
of clouds. Now look around your tiny room
and tell me that you haven't got the power.

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(added 18 days ago) / 35 views