Posts for 'Poems' Category

How To Write Sad Love Poems To Get Your Ex Bac: Almost every woman is a hopeless romantic at heart and if you write the love letters and poems these will be kept in a special place and cherished for years. Books
on romance and love are chiefly purchased by women more than men and every woman that reads them wishes she could also have a fairytale love life and happy relationship with her knight in shining amour. Many relationship counselors will not tell you that if you have broken up a very effective way to get her back is to compose sad love poems. Now most men will not have a clue on how to write sad love poems; never mind to write sad poems to get your ex back. Even on the internet real guides on how to write sad poems to get your ex back are extremely hard to find. Sad Love poems have been written by famous people like Napoleon, Oscar Wilde, and Charles dickens. Love poems can truly melt anyone’s heart or make you think deeply about life.

Read the complete story

"Safety poems" a poetry collection composed by Mostafa Rahmandoost has been recently marketed for children which has been a bestseller in the past weeks. IBNA: "Safety poems" has been published in 3 volumes and Rahmandoost has composed it about the danger of some tools for children.

The book has been published by Ofogh which says that the collection has been among the bestsellers during the past weeks. In the collection Rahmandoost talks about dangerous tools as knifes, scissors, saws, needles and etc…

"The prayer poems" another poetry collection by Rahmandoost has been recently published. He told IBNA that that his opinion has changed for publishing the books as a collection and has decided to create more collections.

Read the complete story

There aren't many verse forms that are named after their originators; poetry doesn't seem to work much like biology in that respect.

There's the Clerihew, the Horatian Ode and Sapphics. I'm tempted to say that's that, but I'm sure there are more I'm forgetting and that I can depend on you to remind me of.

This month, the challenge is to write a poem in Sapphics – the form favoured, unsurprisingly enough, by Sappho. Rather than tying ourselves up with longwinded explanations involving trochees and dactyls, let's look at a Sapphic stanza in schematic form using "-" for long (in English, stressed) syllables, "u" for short (unstressed) syllables and "x" for an anceps (a syllable that can be either stressed or unstressed):

Read the complete story

When he met her it was as if he could see
his poems moving around below her skin
like fish in an aquarium. To attract them
he tapped the glass of the tank –
some were pretty big fish. They loomed
close, shadowing her face like a birthmark.
He saw their luminous scales, the frills
of their fins, their mouths, fat and defenceless,
without natural preditors, begging
to be caught, mounted and nailed to the wall.

George MacBeth, who died prematurely of motor neurone disease in 1992, was a prolific poet, novelist, children's writer, anthologist and ambassador for poetry. Working-class and Oxford-educated, shaped by postwar and anti-Movement influences, a stylish and often experimental formalist, he was undoubtedly a poet of his time, but also ahead of it.

His birds and beasts may not be subjected to such fierce psychic projection as those of his contemporary, Ted Hughes, but they are realised with sympathetic verbal energy, and a nice interplay of mannerism, metaphysics and muscularity. This week's poem, The God of Love, is written as an eye-witness account, almost in defiance of the quoted epigraph.

"I found them," the narrator declares authoritatively of the herd of musk-oxen, as if reporting on a field trip. After the crisp, distant precision of the initial scene-setting, the threat to the oxen is registered on the reader's skin in a little shiver as we're shown the wolves with their "ears flattened against the wind". This movement is intensified by the next stanza's dramatic "whirlpool of wolves".

Read the complete story

George MacBeth, who died prematurely of motor neurone disease in 1992, was a prolific poet, novelist, children's writer, anthologist and ambassador for poetry. Working-class and Oxford-educated, shaped by postwar and anti-Movement influences, a stylish and often experimental formalist, he was undoubtedly a poet of his time, but also ahead of it.

His birds and beasts may not be subjected to such fierce psychic projection as those of his contemporary, Ted Hughes, but they are realised with sympathetic verbal energy, and a nice interplay of mannerism, metaphysics and muscularity. This week's poem, The God of Love, is written as an eye-witness account, almost in defiance of the quoted epigraph.

"I found them," the narrator declares authoritatively of the herd of musk-oxen, as if reporting on a field trip. After the crisp, distant precision of the initial scene-setting, the threat to the oxen is registered on the reader's skin in a little shiver as we're shown the wolves with their "ears flattened against the wind". This movement is intensified by the next stanza's dramatic "whirlpool of wolves".

Read the complete story

What is Poem
Poem is a written or spoken use of words to create beauty, love, and arty wonders.
Tips To Write Good Poems

Everybody has its own set of tips and tricks to write a poem that stands out. Following are the key points which you can follow to be a better poet.

Read the complete story

Poet and critic Louise Bogan described Edwin Arlington Robinson's 1897 collection, The Children of the Night, as "one of the hinges upon which American poetry was able to turn from the sentimentality of the 90s toward modern veracity and psychological truth".

The significance of that achievement, which Robinson shares with a near-contemporary, Edgar Lee Masters, can be too easily submerged by the more dramatic renovations of imagism. He was, paradoxically, an innovative poet who quietly fulfilled the old, elusive Romantic doctrine of humble attentiveness to Everyman.

In this week's poem, Eros Turannos, he is at his most astute, his analysis of the bargaining tactics in a seemingly "co-dependent" marriage reminding us, perhaps, of Tolstoy's famous observation: "happy families are all the same; every unhappy family is unhappy in its own way."

Read the complete story

Rarely does a translation so stunningly refresh the language it enters as this week's poem, "Donal Og" ("Young Donal") by Lady Augusta Gregory. It owes its power to a variety of attributes. One is its lyric economy. The only version I could find of the original 8th century Irish ballad has 14 stanzas, whereas Gregory manages with a mere nine. Then there's the strong but non-metrical rhythm, borne on incantatory psalm-like repetitions. Most importantly of all, the Hiberno-English grammatical structures have been allowed to remain intact.

Lady Gregory learned Irish as an adult. The English she chooses to work in is not the standard variety one might perhaps expect from a member of the Protestant aristocracy, but it would have been the dialect she heard spoken in her area, the barony of Kiltartan, County Galway.

Her contribution to the Irish literary revival was not only to translate the legends, folk-tales and ballads from their original Gaelic but to do so in a way that could almost make the Irish language available to the non-Irish-speaker.

Read the complete story

Storni preceded her call by a generation; a lonely voice fighting for basic freedoms and equalities that men had mostly taken for granted. It's out of Storni's tragic social and personal equation, out of a struggling single mother.

Actress and teacher facing life's incredible odds that her pain and love emerge as art. To miss out on a testimony so beautiful, so sublime and tragic that it rivals the best of Greek tragedies is to walk by one's own life…

Credit should be given to Orlando Ricardo Menes' for his thoughtful selection and solid translation. He includes many important poems, such as "Injustice", "From the Poor Outskirts", "Ancestral Weight" and The Word.

Read the complete story